The School of Paris (École de Paris) is not a school at all but the name for the community of artists - French and émigré alike - who made Paris the centre of Western art between about 1900 and 1940. Many, like Modigliani, Soutine, Chagall, Pascin, and Kisling, were Jewish immigrants drawn by the city's freedom, escaping quotas and pogroms in Eastern Europe; the critic André Warnod popularized the label in the 1920s. They shared studios in Montparnasse and La Ruche, exhibited together, and shared almost nothing else stylistically: Modigliani's elegant elongations, Soutine's convulsed surfaces, Chagall's dreamlike villages. The name marks a place and a moment rather than a program - Paris as the world's art capital - and its force faded with the Second World War.
Cover of Les Berceaux de la jeune peinture by André Warnod . Drawing by Amedeo Modigliani (1884-1920)Public domain (credit: Amedeo Modigliani) · source
Defining characteristics
No single style: many individual modernisms gathered under one city