The School of Fontainebleau (École de Fontainebleau) names two waves of artistic production centered on the royal château of Fontainebleau between about 1530 and 1610, which brought Italian Mannerism to France and shaped Northern Mannerism. The first and more important wave began when François I invited Rosso Fiorentino, ruined by the 1527 Sack of Rome, to decorate the palace; Francesco Primaticcio joined him in 1532, and Niccolò dell'Abbate arrived in 1552. Their fresco-and-stucco ensembles wrap painted mythological allegories in elaborate frames of molded ornament, peopled by elegant, elongated figures. Etchings made at the palace disseminated the style across France and beyond. A second wave at the end of the century continued the idiom. French artists such as Jean Cousin the Elder, Jean Goujon and François Clouet absorbed its lessons.
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Defining characteristics
Fresco-and-stucco ensembles in which painted scenes and molded frames fuse into one decorative whole
Elegant, elongated Mannerist figures in serpentine poses
Grotesques, strapwork, and putti ornamenting walls and frames
Elaborate, often mysterious mythological allegory
A distinct erotic undertone in mythological subjects
Etched prints that replicate and spread the palace designs
Key figures
Rosso Fiorentino(1494-1540) — Florentine painter who led the first decorative program from 1530
Francesco Primaticcio(1504-1570) — Bolognese painter-stuccoist who shaped the style after Rosso and cast antique statues for the king
Niccolò dell'Abbate(1509/1512-1571) — Modenese painter invited in 1552 whose frescoes carried the style into its mature phase
François I(1494-1547) — King of France whose patronage founded the first school at Fontainebleau
Example works
Diana the Huntress — School of Fontainebleau (attr. Luca Penni) (c. 1550)
Galerie François I (fresco and stucco decorations) — Rosso Fiorentino (1533-1540)