Otra Figuración ("Another Figuration") was a short-lived Argentine art movement founded in 1961 by Jorge de la Vega, Ernesto Deira, Rómulo Macció and Luis Felipe Noé, who shared a studio in Buenos Aires and exhibited together. They championed a return to figurative painting at a moment when abstraction and geometric art dominated the Argentine avant-garde, working instead in an expressive, often grotesque idiom of bold color, dense paint and mixed media. Their eponymous exhibition reached the Museo Nacional de Bellas Artes in 1963 and won wide recognition, and the group became a catalyst for Nueva Figuración (New Figuration) across Latin America. Disbanded in 1964, its members went on to influential solo careers - Noé to boundary-stretching assemblages in New York, de la Vega to popular protest songs.
Catabasis figure in Johann Sebastian Bach 's cantata " Weinen, Klagen, Sorgen, Zagen " ("Weeping, lamenting, worrying, fearing"), BWV 12 . ACC BY-SA 4.0 (credit: ZoeKMcCormick) · source
Defining characteristics
A return to the human figure at the height of geometric abstraction
Bold, clashing color laid on in thick, expressive paint
Grotesque, distorted figures charged with social and psychological tension
Mixed media and collage-like, encrusted surfaces
Raw spontaneity over polished finish
Key figures
Jorge de la Vega(1930-1971) — Self-taught painter of explosive color; later a protest singer-songwriter
Ernesto Deira(1928-1986) — Painter of expressive, linear, often grotesque figures
Rómulo Macció(1931-2016) — Painter of social themes with an aesthetic of rebellion
Luis Felipe Noé(1933-2025) — Theorist of the group (Antiestética, 1965) who later made assemblages in New York