Massurrealism is a portmanteau coined in 1992 by the American artist James Seehafer for surrealist art retooled for the media age. Where classic surrealism drew on dreams and the unconscious before electronic mass media, massurrealism fuses that imagery with the language of advertising, pop art, and consumer technology - photocopied collage, spray paint, digital compositing, corporate symbols. Seehafer began with a shopping cart motif and colour photocopies over oil paint, and spread the word through early arts newsgroups and a dedicated website, drawing contributors from Europe and Latin America. Its works blur the subconscious with the mediated reality of contemporary visual culture, and the term now covers both traditional and fully digital practice. In 2005 Banksy secretly hung a shopping-caveman stone in the British Museum as a tribute.