Furniture of the Louis XV period (1715-1774) replaced the monumental formality of the previous reign with curved forms, lightness and comfort, designed for the smaller, intimate salons of the king and his mistresses Madame de Pompadour and Madame du Barry. Its three phases trace the arc of the Rococo: a Regency opening still close to Louis XIV, a brilliant rocaille middle (c. 1730-1750) of shells, C-scrolls and deliberate asymmetry, and a final turn toward neoclassical order after 1750. Cabinetmakers such as Charles Cressent, Bernard II van Risamburgh and Jean-François Oeben refined curved commodes with gilt-bronze espagnolettes, floral marquetry of exotic woods, and lacquer panels in the Chinoiserie taste. The period's close collaboration of designers, ébénistes, bronziers and lacquerers made French furniture the benchmark of European craftsmanship.
French, Paris; Commode; Woodwork-FurnitureCC0 (credit: Charles Cressent) · source