Italian Futurism was the first great avant-garde movement of the twentieth century, launched when the poet Filippo Tommaso Marinetti published his Manifesto of Futurism in the Paris newspaper Le Figaro in 1909. It glorified speed, machines, noise, and the modern city, and declared a racing car more beautiful than classical sculpture. Painters including Boccioni, Balla, Carrà, and Severini translated these ideas into images of motion - repeated limbs, force lines, blurred edges - while Depero carried the style into advertising, textiles, and stage design. The movement embraced the First World War and, after Boccioni's early death, mutated into aeropittura and became entangled with Mussolini's regime, a political legacy that long clouded its reputation. Its visual vocabulary of dynamism nonetheless reshaped graphic design, photography, and cinema worldwide.