Gothic art and architecture flourished in Monza, near Milan, between the late thirteenth century and the first half of the fifteenth, when the Visconti lords used building and decoration to claim continuity with the Lombard kingdom of Queen Theodelinda. The center of it is Monza Cathedral, rebuilt from the early 1300s: the gabled marble facade and the pulpit are by Matteo da Campione, and the sculpture shows Tuscan polish, probably imported by the Pisan Giovanni di Balduccio. The masterpiece is the Theodelinda Chapel, frescoed by Ambrogio and Gregorio Zavattari in 1444 with forty-five scenes from the queen's life set against gilded stucco backgrounds. Civil Gothic survives in the Arengario, a porticoed communal hall modeled on Milan's broletto with a swallow-tail battlemented tower, and in Santa Maria in Strada (from 1348), famous for its terracotta decoration.
Facade of Monza CathedralCC BY-SA 4.0 (credit: Giorgio Pallavicini) · source
Defining characteristics
Gabled marble facades banded in two-tone stone and divided into vertical sections by buttresses
Molded terracotta ornament: pointed-arch portals, cusp canopies, bifore and trifore windows