Cartographic Art, as WikiArt files it, is a loose category rather than a movement: works made across the 20th century that adopt the map - its flat projection, its colored countries, its grids of names - as image or organizing structure. Bruno Munari's Cosmic Map (1930) imagines the world as emblem; Öyvind Fahlström's variable world maps of the 1960s-70s let geography be rearranged as political play; Alighiero Boetti's embroidered Mappa del mondo tapestries chart the Cold War world in national flags; Ion Bitzan's continents float as shaped panels. What unites them is conceptual: the map treated not as a window on space but as a coded, manipulable image of power. The category cuts across movements, from Futurism-adjacent design to Arte Povera and conceptual art.
Defining characteristics
- The map's flat projection and outline shapes used as compositional structure
- Countries rendered in flat color or national flags
- Political geography as content: borders, renamings, spheres of influence
- Accumulated place-names and grid text as surface pattern
- Cartography made manipulable - the map as a coded image of power
Key figures
- Alighiero Boetti (1940-1994) — Embroidered world maps stitched in national-flag colors
- Bruno Munari (1907-1998) — Futurist-adjacent designer-artist who mapped the cosmos in emblem form
- Öyvind Fahlström (1928-1976) — Variable-painting artist who rearranged world maps as political play
Example works
- Mappa del mondo — Alighiero Boetti (1988)
- Cosmic Map — Bruno Munari (1930)
- Sketch for a World Map Part 1 (Americas, Pacific) — Öyvind Fahlström (1972)
Sources
← Back to the catalog